And now - a native plug-in on Mac and Windows. Organic, inspirational, and mind-blowingly powerful. “Ski Beatz” has been changed to “Marimba Beats.” These changes have no effect on any user sounds.Legendary synthesis, radically re-imagined. Some have been shortened so that they fit within 24 characters. Names of some of the factory sounds have been changed. Previously, if a Program was renamed in the Sound Librarian, the new name would appear in selection dialogs, but the old name would be shown elsewhere. Previously, rapidly and repeatedly selecting a Performance, editing, and then selecting a new Performance could eventually cause a crash. Previously, rapid Performance changes could cause a crash, especially in conjunction with high-density MIDI CC activity. (Previously, it could only be chosen by moving the front-panel knob.) Now, these selections do not affect Compare.Īmp LFO Intensity can now be chosen for modulation by selecting the on-screen parameter and pressing ENTER. Previously, changing the selections for Layer, Lane, Envelope, LFO, Effect, and Performance Mod Knobs would put the sound into the Edited state (since the selections are saved with the Performance), interfering with Com- pare. Previously, Note Advance would increment separately for each Unison Voice. If Steps are added to a lane (either by adding Steps or by changing the Wave Sequence or Lane Preset), their parameters are now modulatable immediately, without need to switch to a different Layer and then back again. Previously, MIDI Clocks with extremely high jitter could cause synchronization problems with tempo-based Wave Sequences. Tempo synchronization has been improved, especially when notes are held for a long time.

Korg wavestate pads